This in­stal­la­tion is made up of the cedar-and-brass sculp­ture Bagh­dad Screen, ten vit­rines filled with doc­u­men­ta­tion, mod­els and pho­tographs, and four group­ings of mod­ern fur­ni­ture. Bagh­dad Case Study was in­stalled at Haus der Kul­turen der Welt in Berlin and lay­ered the his­tory of the ex­hi­bi­tion site—a con­gress hall given to the peo­ple of Berlin by the United States in 1957—with the in­stal­la­tion’s sub­ject: the US em­bassy com­plex de­signed by Jose Luis Sert for Bagh­dad in 1960. Both sites were built by branches of the State De­part­ment dur­ing the Cold War, but each were built with sub­tly dif­fer­ing ide­o­log­i­cal agen­das.

 

Doc­u­men­ta­tion: In­stal­la­tion at Haus der Kul­turen der Welt; Views of US Em­bassy at Bagh­dad, Jose Luis Sert

 

Ter­ence Gower, 2012

Brass, cedar, ply­wood, fur­ni­ture, show­cases, pho­tographs, jour­nals, dig­i­tal prints, mod­els

Ap­prox­i­mately 6 x 24 x 6 M over­all

 

Graphic De­sign: Vin­cent Schnei­der and Nora Cristea

Sculp­ture Fab­ri­ca­tion: Chris­t­ian Werner @ Scop­u­lus

Pro­duc­tion Su­per­vi­sor: Vu Huang

Draw­ings: Alexan­dra Kiss and Laila See­wang

Dig­i­tal Imag­ing: Stephen Gross

Re­search As­sis­tant: Kate Dono­van and Marie Pineau

Re­search Ad­vi­sors: Jane Lo­ef­fler and Sandy Isen­stadt

In­stal­la­tion Pho­tog­ra­phy: Af­folter-Eu­g­ster

Bagh­dad Em­bassy Pho­tog­ra­phy: Louis Reens

Archive: Har­vard Grad­u­ate School of De­sign

 

Pro­ject Text: Bagh­dad Case Study

 

Pro­ject Text: Vit­rine In­tro­duc­tions