This wall draw­ing pro­ject is shown here in three dif­fer­ent ver­sions, each draw­ing a ren­der­ing of the site in which it is in­stalled. Ax­onom­e­try is a draw­ing form that shows all el­e­ments to scale but also rep­re­sents vol­ume. It was used by many of the early twen­ti­eth cen­tury ar­chi­tec­tural avant gardes for its clar­ity and func­tion­al­ity and has be­come a for­mal sig­ni­fier of early moder­nity. These draw­ings are shown in­stalled at, from left to right: Art in Gen­eral, New York; Fuse­box Gallery, Wash­ing­ton DC; and Lab­o­ra­to­rio Arte Alameda, Mex­ico City.

 

Doc­u­men­ta­tion: Art in Gen­eral in­stal­la­tion and plan; Fuse­box in­stal­la­tion; Lab­o­ra­to­rio Arte Alameda in­stal­la­tion and plan

 

Ter­ence Gower, 2004-05

Ver­sion I (Art in Gen­eral, New York, 2004)

Ad­he­sive vinyl, acrylic paint and dig­i­tal print

4 x 2.5 M over­all

Pho­to­graph: Ray Anas­tas

Ver­sion II (Fuse­box, Wash­ing­ton, DC, 2004)

Ad­he­sive vinyl

1.8 x 2.6 M over­all

Ver­sion III (Lab­o­ra­to­rio Arte Alameda, Mex­ico City, 2005)

Ad­he­sive vinyl

4.5 x 4 M over­all